Suggestions for Achieving Your Best Performance
(These tips were distilled from Tom Carter's work with
us. To order his book, Choral Charisma: Singing with Expression,
go to sbmp.com.
To contact him about the workshop, go to choralcoaching.com.)
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What is the music about?
Is there a scenario into which you could insert yourself that would support
your singing this music the way you believe the composer, lyricist and
conductor have intended?
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How can you see yourself in the music?
Who are you specifically (yourself or a character you create), and how
do you think and feel about everything you sing?
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Be Here Now...
How can you make it compelling and vital that you sing these words, and
sing them now?
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Make it Personal
Does it work to sing to "another person, animal, object, or deity," trying
to get them to think, do or feel something?
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Visuals
Are there specific images you are creating in your imagination that will
support the text and music?
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Feeling the Message
Are you making your "heart connection" to the subject matter as specific
and powerful as possible? (If the composer is communicating their hate
for war, what specifically do you hate about war? If the composer loves
sunsets, what specifically do you love about sunsets?)
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The Whole Package
Are you singing the music with attention to all its changes in pitch,
dynamics, rate and quality?
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Always Turned On
When you are not singing (during an introduction, instrumental interlude
or rests) are you still connected to the message communicated in the
text and music?
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Think Ahead
Are you preparing for the next song as soon as you have smiled (communicating "Thank
You! I am so glad you liked it.") during applause?
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Just Do It
If you notice that you are not powerfully engaged, have you "jump started" your
connection by smiling, raising your eyebrows, or otherwise engaging your
facial expression? How about your toes?